Cesar Pedroso i Paris

Cesar Pedroso sitt band Pupy Y Los Que Son Son er på europaturne og holder konsert på Back Up i Paris tirsdag 16.10.

Her er dei med låta De la Timba a Pogolotti.

Datoar for Pupy Y Los Que Son Son sin europaturne 11- 29. oktober

Her er bandet med Angel Bonne frå ein konsert i Havanna. Låta er Disco Azucar frå plata Pupy el Buenagente.

October 11
Madrid, Spain

October 12
Bilbao, Spain

October 14
Milan, Italy
Presented by La Jiribilla

October 16
Paris, France
Back-up

October 18
Rome, Italy

October 19
Senigallia, Italy

October 20
Naples, Italy

October 21
Lecce, Italy

October 23
Rome, Italy
Caruso

October 24
Latina, Italy

October 26
Zurich, Switzerland
Cubanito

October 28
Verona, Italy

Pupy Y Los Que Son Son på europaturne 10- 29. oktober

Cesar Pedroso har i tredve år vore ein av dei leiande musikarane på Kuba. Han byrja si karriere i Orquesta Reve. Saman med Juan Formell stifta han seinare gruppa Los Van Van. I 2001 starta han si eiga gruppe Pupy Y Los Que Son Son. Dette er ei av mine favorittgrupper og me har spelt mange av låtane deira på Timba Night.
Videoen er frå ein konsert i Havanna og låta er De la Timba a Pogoloti frå plata Mi Timba Cerra.
Me vil legge ut informasjon om turneen så snart me veit meir om stad og dato.

Her er Descargas Peter Watrous si anmelding av plata El Buenagente frå 2004:

"There isn't anything like this in Afro-Latin music; it's totally distinct. It's as if Pupy, longtime pianist and composer with Los Van Van, took a chunk of that group and decided to make it something bigger. So the rhythm arrangements swing in an incredibly complicated way; he's arranging the rhythm of each tune, making his music instantly identifiable by its time and feel instead of its melody or harmony. And Pupy goes directly to the modal heart of the matter, the band charging into a big, big sound that, weirdly, reminds me of John Coltrane and his classic quartet.
The music is like some sort of parallel popular music world in Cuba; it isn't timba, or salsa, just something hard and intelligent. Like a movie director who uses the same actors in every picture, or the same ideas, giving form to his total work, Pupy uses his group to mine the same sort of melodies and rhythms-and his tumbaos don't sound like anybody else's, either. Listen to the descarga of "El Buenagente," or the opening to "Disco Azucar" to hear things that are only in Pupy's arsenal. And with the violins waving in the distance, there's a whiff of Van Van. With a drum kit, the music, in it's power, sounds completely modern.
So here's the most advanced art available from the world of Cuban popular music, wildly imaginative, and inventive. And let's not forget that it's popular, which gives all the intelligence and invention and push that make it vital.
Highly recommended."