onsdag 11. mars 2009
Charanga Forever
Charanga Forever med låta " Dicen Que Amor" frå siste plata Somos Charangueros frå 2006.
Somos Charangueros:
"Wow, get lost in the pleasures of timba, pure and simple. The real deal returns after a long time off; there hasn’t been anything this deep coming out of the timba world of Cuba in a long, long time. The shouted, rapped coros are there, telling their stories of the street, always with humor and cynicism. The band’s a huge machine, with slapping percussion driving on the ever-erratic bass figures, the constant montunos and the horn section. This is the musical glory of the '80s in Cuba, increasingly rare and valuable. There’s nothing like this, some of the last great live dance music in the world, orchestral, precise, intelligent. Michel Maza shows up as a lead singer on three tracks, and Tirso Duarte, the great pianist, shows up singing on one track. This stuff is overwhelming; it’s so detailed, so complicated. And so hard; listen to the first few bars after the break on "Se Cree Que se Las Sabe Todas," with a bluesy montuno thrusting through the music, to hear the intensity of hard driving swing.
Highly Recommended. "
www.descarga: Peter Watrous, 2006-10-11.
fredag 6. mars 2009
Spilleliste Timba Night mars- 09
Artist: Låt: Album
Adalberto Álvarez: ¿Y qué tú quieres que te den?: Grandes exitos
Azucar Negra: Identidad: Exceso De Equipage
Armando "Mandy" Cantero: Me le pusiste dura: Hay que luchar
Ángel Bonne: Quiero pasarlo bien: Por favor escúchame
Bamboleo: El Protagonista: Ya No Hace Falta
Carlos Joel y La Balanza: Entrame de frente: Lo que traigo ahora
Carlos Joel y La Balanza: Parece pero no es: Lo que traigo ahora
Charanga Habanera: La caratula: Promo
Charanga Habanera: Lola Lola: Tremendo Delirio
Charanga Forever: La Menor: Charanga Forever
Elio Reve: Tu No Te Llenas: Se Sigue Comentando
Habana D' Primera: Confiésale: Promo
Havana Power Band: Yo Soy Tu Hombre: Timba Y Corazon
Klimax: Numero Cien: Oye como Va
Klmax: Zorreando: Juego De Manos
Issac Delgado: No me mires a los ojos: El año que viene
Issac Delgado: Sone/ La Campana: En Primera Plana
Los Angeles De La Habana: Vice Versa: 24 Kilos
Los Van Van: Temba, tumba, timba: Llego... Van Van
Los Van Van: El baile del buey cansao: Aquí el que baila gana - El concierto
Los Van Van: La rumba no: Arrasando
Maikel Blanco: Rumberos: Ya Llegaron los Cubanos
Maikel Blanco: Recoge Y Vete: Live desde la Casa de la Musica
Manolito y su Trabuco: Ella no está en na': Locos por mi Habana
NG La Banda: Un Tipo Como Yo: En La Calle
NG La Banda: Y Si Manana: Oye Siii
N Taya: : Ya Estoy En La Calle: Y Ya Llego
Los Van Van: Me trajo dos: Arrasando
Manolín, El Médico de la Salsa: No lo comentes: De buena fe
Manolín, El Médico de la Salsa: Pegaíto, pegaíto: De buena fe
Michel Maza: Otro En Mi Lugar: Como Gato De Angora
Paulito FG: Como Una postal Paulito
Pedro Calvo: El Negro No Tiene Na: 50 Anos
Pedro Pablo: Porque Yo Tengo El Don: Yo Tengo El don
Pupy y Los Que Son Son: Olvídala: Tranquilo que yo controlo
Pupy y Los Que Son Son: Dicen que dicen: Pupy el Buenagent
Soneros All Stars: Conciencia: La timba soy yo
Adalberto Álvarez: ¿Y qué tú quieres que te den?: Grandes exitos
Azucar Negra: Identidad: Exceso De Equipage
Armando "Mandy" Cantero: Me le pusiste dura: Hay que luchar
Ángel Bonne: Quiero pasarlo bien: Por favor escúchame
Bamboleo: El Protagonista: Ya No Hace Falta
Carlos Joel y La Balanza: Entrame de frente: Lo que traigo ahora
Carlos Joel y La Balanza: Parece pero no es: Lo que traigo ahora
Charanga Habanera: La caratula: Promo
Charanga Habanera: Lola Lola: Tremendo Delirio
Charanga Forever: La Menor: Charanga Forever
Elio Reve: Tu No Te Llenas: Se Sigue Comentando
Habana D' Primera: Confiésale: Promo
Havana Power Band: Yo Soy Tu Hombre: Timba Y Corazon
Klimax: Numero Cien: Oye como Va
Klmax: Zorreando: Juego De Manos
Issac Delgado: No me mires a los ojos: El año que viene
Issac Delgado: Sone/ La Campana: En Primera Plana
Los Angeles De La Habana: Vice Versa: 24 Kilos
Los Van Van: Temba, tumba, timba: Llego... Van Van
Los Van Van: El baile del buey cansao: Aquí el que baila gana - El concierto
Los Van Van: La rumba no: Arrasando
Maikel Blanco: Rumberos: Ya Llegaron los Cubanos
Maikel Blanco: Recoge Y Vete: Live desde la Casa de la Musica
Manolito y su Trabuco: Ella no está en na': Locos por mi Habana
NG La Banda: Un Tipo Como Yo: En La Calle
NG La Banda: Y Si Manana: Oye Siii
N Taya: : Ya Estoy En La Calle: Y Ya Llego
Los Van Van: Me trajo dos: Arrasando
Manolín, El Médico de la Salsa: No lo comentes: De buena fe
Manolín, El Médico de la Salsa: Pegaíto, pegaíto: De buena fe
Michel Maza: Otro En Mi Lugar: Como Gato De Angora
Paulito FG: Como Una postal Paulito
Pedro Calvo: El Negro No Tiene Na: 50 Anos
Pedro Pablo: Porque Yo Tengo El Don: Yo Tengo El don
Pupy y Los Que Son Son: Olvídala: Tranquilo que yo controlo
Pupy y Los Que Son Son: Dicen que dicen: Pupy el Buenagent
Soneros All Stars: Conciencia: La timba soy yo
torsdag 19. februar 2009
Pupy Y Los Que Son Son I Noreg!
Pupy Y Los Que Son Son skal holde konsert i Oslo og Stavanger i mars månad. Meir informasjon fin ein under konsertlenker.
tirsdag 17. februar 2009
Spilleliste Timba Night februar- 09
Artist: Låt: Plate
Asere: Mercedes: Destinos
Alain Perez: Arroz Con Pollo: El Desafio
Anacaona: Por Eso Vamonos: No Lo Puedo evitar
Azucar Negra: Estres: Exceso De Equipage
Bamboleo: Amor Sin Traspaso: Yo No Me Parezco A Nadie
Carlos Joel: Lo Que Traigo Ahora: Lo Que Traigo Ahora
Charanga Habanera: El Ciclon De La Habana: El Ciclon De La Habana
Elio Reve: A sancochar boniato: Fresquecito
Habana d´Primera: Confiesale: Promo
Haila: No Caigo otra vez: Tal Como Soy
Havana Power Band: Fuego Cautivo: Timba Y Corazon
Issac Delgado: El Macao: Prohibido
Klimax: Dale quatro malas: Solo tu Y Yo
Los Van Van: Soy Todo: Ay Dios Perdoname
Maikel Blanco: Esto Esta: Recoge Y Vete
Mandy Cantero: Me Le Pusiste Dura: Hay Que Luchar
Manolito Simonet: Diez Anos: Locos por mi Habana
Manolin: Facil de facil: Promo
Mamborama: La gata loca: Entre la Habana y el Yuma
NG La Banda: La Expresiva: En la Calle
N´Taya: Todos Somos Hermanos: Y Ya llego
Paulito FG: Dejaria todo: Una ves mas por amor
Pedro Calvo: Si Te Van A Dar: De Aqui P´alla
Pupy Y Los Que Son Son: Nadie puede contra eso: Tranquilo Que Yo Controlo
Seo Fernandez: Remenea: Single
Tamayo Y Su Salsa AM: Lo Que Se Presente: Guapa que me matas
Asere: Mercedes: Destinos
Alain Perez: Arroz Con Pollo: El Desafio
Anacaona: Por Eso Vamonos: No Lo Puedo evitar
Azucar Negra: Estres: Exceso De Equipage
Bamboleo: Amor Sin Traspaso: Yo No Me Parezco A Nadie
Carlos Joel: Lo Que Traigo Ahora: Lo Que Traigo Ahora
Charanga Habanera: El Ciclon De La Habana: El Ciclon De La Habana
Elio Reve: A sancochar boniato: Fresquecito
Habana d´Primera: Confiesale: Promo
Haila: No Caigo otra vez: Tal Como Soy
Havana Power Band: Fuego Cautivo: Timba Y Corazon
Issac Delgado: El Macao: Prohibido
Klimax: Dale quatro malas: Solo tu Y Yo
Los Van Van: Soy Todo: Ay Dios Perdoname
Maikel Blanco: Esto Esta: Recoge Y Vete
Mandy Cantero: Me Le Pusiste Dura: Hay Que Luchar
Manolito Simonet: Diez Anos: Locos por mi Habana
Manolin: Facil de facil: Promo
Mamborama: La gata loca: Entre la Habana y el Yuma
NG La Banda: La Expresiva: En la Calle
N´Taya: Todos Somos Hermanos: Y Ya llego
Paulito FG: Dejaria todo: Una ves mas por amor
Pedro Calvo: Si Te Van A Dar: De Aqui P´alla
Pupy Y Los Que Son Son: Nadie puede contra eso: Tranquilo Que Yo Controlo
Seo Fernandez: Remenea: Single
Tamayo Y Su Salsa AM: Lo Que Se Presente: Guapa que me matas
onsdag 4. februar 2009
N Taya
N'Taya med låta Las Mujeres frå den nye plata Y Ya Llego.
"Wow... timba is alive and well and thriving in Miami. Here's a sparkling high-voltage release by singer Nick "N'Taya" Martinez who seems to have successfully channelled the spirit and drive of timba; he has created a thoroughly enjoyable dance record that is perfectly suited for the danceclub or your next party. Listen to "Caramelito," "El Doctor Me La Receto" or "Mucho Pa Mi Cartucho" to get a sense of N'Taya's sizable abilities. But it's "Ya Estoy En La Calle" that embodies a singular energy that borders on the sublime. This boy is talented.
Very Highly Recommended."
Kjelde: Descarga.com
fredag 26. desember 2008
Maykel Fonts
Låta dei danser til er "Gozando en la habana" frå plata med samme navn av Adalberto Alvarez.
mandag 22. desember 2008
Bloque i kubansk salsa og timba.
"Basically, this translates to "break" -- a short, syncopated rhythm pattern played by the percussionists in unison, sometimes accentuated by the bass, piano or horns. Traditional salsa tunes might have one or two of these to transition between sections, but Timba can have a dozen or more in a given arrangement. It's mind-bending for non-Cuban musicians to listen to the sheer number of complex bloques that are memorized by Timba musicians for each arrangement. It's almost as if the percussionists are playing a horn chart, but the music stands are nowhere to be seen! The secret, of course, is that these bands rehearse up to 6 times a week. Some, like Bamboleo, have numbered bloques which can be called out like basketball plays, so that in concert a given song will have different bloques from night to night. Timba increases the frequency of bloques, and the complexity of their rhythms (which are often derived from polyrhythmic Afro-Cuban folkloric music), but even more exciting is the placement of the bloques within the arrangement. Instead of reserving them for transitions, the bloques are frequently inserted after a section has begun. Just as the listen lets his or her guard down and settles down to listen to the coro and lead singer, an explosive bloque will erupt from out of nowhere."
Kjelde: timba.com
Kjelde: timba.com
lørdag 20. desember 2008
Mario Charon Alvarez og Madeline Rodriguez
Lekker sondansing til låta Son de un Amigo frå plata Una vez mas por amor av Paulito FG.
Musician at the forefront of Cuban evolution
"Alberto Alberto a tireless ambassador of timba on the city's thriving Latin scene.
When Alberto Alberto sings "de Toronto soy" (I am from Toronto), he is referring to far more than a mailing address.
For the 36-year-old Cuban ex-pat, the city is all about artistic inspiration that has taken him far beyond the traditional music of his native country.
Since coming to Canada in 1999, the gregarious, energetic singer/composer/arranger has been a tireless ambassador of timba, the genre-crossing evolution of son that is very much the music of the times in Cuba.
Although there are only about 2,000 ex-pat Cubans in Toronto, their influence on the city's Latin music scene has been disproportionately large.
"In the last five years, there have been a lot of new Cuban arrivals, most of them of a very high professional quality," says Alberto. The positive cycle keeps feeding itself, attracting even more new talents.
That has only helped musicians like Alberto propagate the aggressively dance-friendly rhythms of timba, placing more importance on rhythm than salsa, which tips the scale toward melody.
The singer's first big Toronto project was cover band Quimica Perfecta (Perfect Chemistry). More recently, he has been working locally as Alberto Alberto y su Orquesta, which performs the bandleader's own creations.
"Now, timba has a community (in Toronto), thanks to what I do," says Alberto. "I've been pushing very, very hard."
They're putting on a show at Lula Lounge Saturday night. Much of the music is bound to come from the band's year-old album, Traigo de todo (I Bring it All), which includes Alberto's dance-fired ode to his adopted city and the proud refrain, "de Toronto soy."
For Alberto, the road from Cuba to Toronto leads in the other direction, too. "The bandleaders there keep inviting me to come play with them," he says, laughing.
Alberto toured the U.S. in 2006 with Cuban bandleader Maraca. He discovered that decades of severed relations with Cuba helped build up an almost insatiable thirst for new music among lovers of Latin styles.
"They want to see what's going on," says the musician. "They want timba."
He also discovered a yawning gap between advocates of timba and traditional salseros in big cities like Los Angeles and New York. "It's more of a division between communities" rather than a fight over musical tastes, Alberto observes.
One of the advantages of Toronto is such deep divisions don't exist.
Another notable absence in Toronto is Cuban politics. "One of the reasons I'm staying in Canada this winter is I don't want to have anything to do with politics," says Alberto. In this city, the musicians are all about music. "We don't even touch politics," he adds with evident satisfaction.
Alberto began singing at age 5, earned himself a prodigy's profile through national talent shows, and got his first gig with a major band when he was 17, thanks to Delio Cardoso and his Orquesta Pakason. Another star mentor early on was pianist Chucho Valdes.
Locally, Alberto boosted his profile as soon as he arrived in 1999 by gigging with jazz greats Jane Bunnett – the single biggest force in initiating the growth of Cuban music in Toronto – and Hilario Duran.
Alberto says he's devoting a lot of energy in coming months to creating tracks for a new album with Telmary, a Cuban singer/songwriter who is working out on the edges of that country's pop music scene.
Alberto and Telmary have performed and toured together in the last year. "Everybody loves Telmary," he says, hoping that her hip-hop sensibility and his passion for timba can translate into a mutual creative leap forward.
Best of all, it's happening here in Toronto."
Kjelde: JOHN TERAUDS, Thestar.com, Dec. 11. 2008.
When Alberto Alberto sings "de Toronto soy" (I am from Toronto), he is referring to far more than a mailing address.
For the 36-year-old Cuban ex-pat, the city is all about artistic inspiration that has taken him far beyond the traditional music of his native country.
Since coming to Canada in 1999, the gregarious, energetic singer/composer/arranger has been a tireless ambassador of timba, the genre-crossing evolution of son that is very much the music of the times in Cuba.
Although there are only about 2,000 ex-pat Cubans in Toronto, their influence on the city's Latin music scene has been disproportionately large.
"In the last five years, there have been a lot of new Cuban arrivals, most of them of a very high professional quality," says Alberto. The positive cycle keeps feeding itself, attracting even more new talents.
That has only helped musicians like Alberto propagate the aggressively dance-friendly rhythms of timba, placing more importance on rhythm than salsa, which tips the scale toward melody.
The singer's first big Toronto project was cover band Quimica Perfecta (Perfect Chemistry). More recently, he has been working locally as Alberto Alberto y su Orquesta, which performs the bandleader's own creations.
"Now, timba has a community (in Toronto), thanks to what I do," says Alberto. "I've been pushing very, very hard."
They're putting on a show at Lula Lounge Saturday night. Much of the music is bound to come from the band's year-old album, Traigo de todo (I Bring it All), which includes Alberto's dance-fired ode to his adopted city and the proud refrain, "de Toronto soy."
For Alberto, the road from Cuba to Toronto leads in the other direction, too. "The bandleaders there keep inviting me to come play with them," he says, laughing.
Alberto toured the U.S. in 2006 with Cuban bandleader Maraca. He discovered that decades of severed relations with Cuba helped build up an almost insatiable thirst for new music among lovers of Latin styles.
"They want to see what's going on," says the musician. "They want timba."
He also discovered a yawning gap between advocates of timba and traditional salseros in big cities like Los Angeles and New York. "It's more of a division between communities" rather than a fight over musical tastes, Alberto observes.
One of the advantages of Toronto is such deep divisions don't exist.
Another notable absence in Toronto is Cuban politics. "One of the reasons I'm staying in Canada this winter is I don't want to have anything to do with politics," says Alberto. In this city, the musicians are all about music. "We don't even touch politics," he adds with evident satisfaction.
Alberto began singing at age 5, earned himself a prodigy's profile through national talent shows, and got his first gig with a major band when he was 17, thanks to Delio Cardoso and his Orquesta Pakason. Another star mentor early on was pianist Chucho Valdes.
Locally, Alberto boosted his profile as soon as he arrived in 1999 by gigging with jazz greats Jane Bunnett – the single biggest force in initiating the growth of Cuban music in Toronto – and Hilario Duran.
Alberto says he's devoting a lot of energy in coming months to creating tracks for a new album with Telmary, a Cuban singer/songwriter who is working out on the edges of that country's pop music scene.
Alberto and Telmary have performed and toured together in the last year. "Everybody loves Telmary," he says, hoping that her hip-hop sensibility and his passion for timba can translate into a mutual creative leap forward.
Best of all, it's happening here in Toronto."
Kjelde: JOHN TERAUDS, Thestar.com, Dec. 11. 2008.
fredag 19. desember 2008
Azucar Negra
Azucar Negra med tittellåta Exceso De Equipaje frå den nye plata Exceso De Equipaje.
Azucar Negra: Exceso De Equipaje CD & DVD
"Another heap of non-stop timba from one of the great second generation Cuban timba bands, one that keeps going, due in part to the nonpareil ear of the leader Leonel Limonta. Limonta cranks out unforgettable songs, and has a way with the cool coro; as a talent scout, he’s no slouch either, regularly picking singers that can rock the house. This is noisy, no-prisoners-accepted timba, working on a bunch of rhythmic levels, the coro floating tranquilly through the rhythmic mayhem of the percussion, the erratic movement of the bass, the pointillism of the horns and keyboards. The male singers are a bit hysterical, giving a sense of wildness to the songs on which they’re featured; Aylin Mulgas, the woman singer, is a bit more relaxed; they all bring it totally, and contribute to the first great timba album of the year, an album loaded with soon to be classic material. Comes with a DVD of live material."
Highly Recommended."
www.descarga.com: Peter Watrous, 01-Jan-09.
søndag 14. desember 2008
Klimax
Klimax med låta "Es Un Peligro" frå plata Nadie Se Parece A Ti.
Dei har nett gjeve ut ei ny plate Solo Tu Y Yo.
Klimax
Solo Tu Y Yo
Import CD (BIS 636), Released 2008.
"Piloto and his band have always been apart from the average timba band, in part because what he produces isn’t straight up timba, often mixing rhythms from around the Caribbean, and because his recording and production technique often sounds more modern and professional than the average Cuban recording. It sounds like he spends time outside of Cuba, which he does, and on Solo Tu Y Yo, he’s doing his traditional mixing of stuff. In case non-Cuban speaking people buy the album (something that’s been on his mind from early on), it comes with a Cuban-Spanish dictionary; the music’s the same, a salsa/timba/other stuff mix, all played perfectly. There’s some Latin pop schmaltz, per usual, but when this band starts moving down the road, get out of the way. Not only is Piloto a great writer, but his drumming is as good as it gets in the idiom, which is saying something. There’s the sense of musical heaviness you hear in great bands, whether it be the Coltrane Quartet or the Rolling Stones. Piloto’s invited a bunch of people to perform, from Omara Portuondo, Pablo Milanes, Tania Pantojo, Chucho Valdez and the goddess Haydee Milanes who’s pretty much brilliant on her track, offering a new set of melodies for improvisation. Dance music doesn’t get better than this, intelligent, driving, of a place, heroic.
Highly Recommended."
Kjelde. descarga.com, Peter Watrous, 2008-07-23
fredag 12. desember 2008
Issac Delgado på SOB i New York
Issac Delgado Y Su Grupo
Asi Soy
CD (Universal 178451), Released 2008;
"The second product of the great Cuban singer Issac Delgado’s stay in Miami has arrived in time for Christmas, and per usual with Delgado, it’s a masterpiece. Produced by Delgado and Sergio George and recorded in Puerto Rico with a cast of the best Puerto Rican musicians (Cano Estremera shows up on coro!), it’s a non-stop blast of pleasure. Delgado ventures on the tune "La Fiesta" into deep party music, mixing up some reggaeton with salsa; on title tune "Asi Soy," the percussion goes home-wrecking, the musicians are so excited (actually, the percussion, turned up and placed high in the mix is pretty much brilliant all album long; no fear of percussion in this mix). And while Delgado was there at the inception of timba, his music has long been a sophisticated blending of various Afro Caribbean musics, and Asi Soy is a straight up salsa record, hard and unrepentant, even if at times Delgado starts out his tunes with some near pop singing. It’s as if, on say a track like "No Vale La Pena," with its strong melody and coro, Delgado was putting himself in the same territory as Victor Manuelle and Gilberto Santa Rosa — when they’re singing uptempo swingers. And, per usual, the songwriting is exceptional, with great tunes taken from the book of Amaury Gutierrez, and Jorge Luis Piloto and Sergio George and Delgado himself. It has to be remembered that Delgado’s one of the great singers of the late 20th century, and the album is rife with melodies he’s improvising, asides that add melody on top of melody, that take just a song into something special, something worth remembering, looking forward too. There’s nothing like him, the texture of his voice, his ability to evoke emotion, his freedom, and if there’s any justice we’ll be hearing tracks from this on the radio for the next year. Otherwise, it’s just another historic recording that radio overlooks, again.
Highly Recommended."
Kjelde: Peter Watrous, 2008-11-12.
torsdag 4. desember 2008
Spilleliste/ Playlist Timba Night desember 2008
Artist: Låt: Plate
Adalberto Alvarez: Esa Mujer: Para Bailar Casino
Alberto Alberto: Dime Luna: Traigo De Todo
Aramis Galindo: Que Sabras del amor: Tiempo Que Cambian
Azucar Negra: Toque Natural: Toque Natural
Bamboleo: Amor sin traspaso: Yo No Parezco Nadie
Carlos Manuel: Prometiste: Salsa De Cuba
Charanga Forever: Suave Paque: Charanga Forever
Charanga Habanera: Hit Parade: El Ciclon De La Habana
Danny Lozada: Te Voy Hacer Llorar: Tanto Lo Pedi
Elio Reve: Dejala Que Sigua: Se Sigue Comentando
Enrique Alvarez: El constructor: Promo
Habana D Primera: Cuando el rio suena: Promo
Havana Power Band: Que No Paso: Salsa Power
Havana City: Ella me embrujo: No Me Detengo
Issac Delgado: Prohibido: Prohibido
Klimax: Zorreando: Juego De Manos
Los Ases De La Timba: Las apariencias enganan: Aqui Estan Los Ases
Los Van Van: Chapeando: Chapeando
Manolin: Aventura De Amor: Para Mi Gente
Manolito Simonet: La Boda Belen: Para Que Baile Cuba
Maikel Blanco: Mi Destino: Anda Y Pegate
Maravilla De Florida: Suave Suave: Luchando Con Fe-Egrem version
Michel Maza: Ni Fio, Ni Presto: Que Hablen, Los Habladores
NG La Banda: La Carretera: La Bruja
Pachito Alonso: La Habana me queda chiquita: Cantandole A La Vida
Paulito FG: Confio en ti: Te Deseo suerte
Pupy Y Los Que Son Son: Ya tu campana no suena: De la timba pogolotti
Tirso Duarte: La cosa mas bella: Fin Del Juego
Vitaly Y Su Timba Habanera: Leslie: Desnudar tu cuerpo
Adalberto Alvarez: Esa Mujer: Para Bailar Casino
Alberto Alberto: Dime Luna: Traigo De Todo
Aramis Galindo: Que Sabras del amor: Tiempo Que Cambian
Azucar Negra: Toque Natural: Toque Natural
Bamboleo: Amor sin traspaso: Yo No Parezco Nadie
Carlos Manuel: Prometiste: Salsa De Cuba
Charanga Forever: Suave Paque: Charanga Forever
Charanga Habanera: Hit Parade: El Ciclon De La Habana
Danny Lozada: Te Voy Hacer Llorar: Tanto Lo Pedi
Elio Reve: Dejala Que Sigua: Se Sigue Comentando
Enrique Alvarez: El constructor: Promo
Habana D Primera: Cuando el rio suena: Promo
Havana Power Band: Que No Paso: Salsa Power
Havana City: Ella me embrujo: No Me Detengo
Issac Delgado: Prohibido: Prohibido
Klimax: Zorreando: Juego De Manos
Los Ases De La Timba: Las apariencias enganan: Aqui Estan Los Ases
Los Van Van: Chapeando: Chapeando
Manolin: Aventura De Amor: Para Mi Gente
Manolito Simonet: La Boda Belen: Para Que Baile Cuba
Maikel Blanco: Mi Destino: Anda Y Pegate
Maravilla De Florida: Suave Suave: Luchando Con Fe-Egrem version
Michel Maza: Ni Fio, Ni Presto: Que Hablen, Los Habladores
NG La Banda: La Carretera: La Bruja
Pachito Alonso: La Habana me queda chiquita: Cantandole A La Vida
Paulito FG: Confio en ti: Te Deseo suerte
Pupy Y Los Que Son Son: Ya tu campana no suena: De la timba pogolotti
Tirso Duarte: La cosa mas bella: Fin Del Juego
Vitaly Y Su Timba Habanera: Leslie: Desnudar tu cuerpo
tirsdag 25. november 2008
mandag 24. november 2008
Charanga Habanera in Copenhagen 22.11
Eg var i København 22.11 og miksa musikk saman med Dj Deniz& Joaquin i samband med Charanga Habanera konserten i Amager Bio.
Me miksa kubansk salsa og timba før, mellom og etter dei to setta bandet spillte.
Her er ei anmelding av den konserten:
"En orkan fra Havana :
Højt tempo, lir og lækkert hår i Amager Bio, lørdag aften.
Charanga Habanera på scenen i Amager Bio d. 22.11.2008
Det var et særdeles veloplagt, velspillende og energifyldt team der indtog scenen i Amager Bio lørdag aften foran et mindst ligeså veloplagt publikum da avhproductions indbød til en af dette års desværre alt for få koncerter med et cubansk band: Charanga Habanera.
Et 15 mand stort orkester med percussionister, blæsere, bas og keyboards og først og fremmest fem sangere med et drive og en energi langt ud over det sædvanlige.
At være sanger i denne gruppe stiller krav om mere end en god sangstemme. Man skal kunne danse, ryste og rotere bæltespænde, skuldre og overkrop i dobbelt tempo og tre dimensioner. Lækkert hår og evnen til at lave lidt akrobatik indimellem med et par dobbelte saltomortaler hen over scenen er heller ingen hæmsko. Lige så lidt som evnen til at stille sig op og improvisere i bedste Cubanske tradition lader til at være nogen ulempe. Det sidste beviste en af sangerne i en afsluttende spontan(?) hyldest til København og det Københavnske salsa publikum.
Gruppens leder David Calzado svævede over vandene iført sin sædvanlige hvide habit og fik det hele til at hænge sammen.
Det samlede resultat : en fantastisk, helstøbt og velstruktureret koncert i to sæt med tilhørende ekstranummer. Det lykkedes virkeligt at nå ud over scenekanten, og trods sprogbarrierren endda at få publikum til at synge med på flere af numrene.
Enhver der har sat sig ned og lyttet til Charanga Habaneras tekster eller set gruppens videoer ved at der er tale om en band med en bramfri, særdeles ucensureret og meget direkte tilgang til hverdagslivet herunder kønslivet.
Det i en grad så det nogle gange næsten er for meget. Men kun næsten. Det hele fremføres med et glimt i øjet og en ironisk og humoristisk selvdistance der gør man f.eks. gider lytte til en tekst om sangeren der må gå så gruelig meget igennem da hans store kærlighed svigter og forsvinder sammen med en "type" i en bil af guld, - indtil han (sangeren) til sidst selv bliver stjerne og kan give hende baghjul.
'Hit parade' et af numrene i aftenens koncert sammen med f.eks 'La Chica Mala' om fyren der gerne vil frelse den smukke pige som har solgt sit hjerte for penge.
Skal der herfra tilsættes en lille dosis kritik af Charanga Habanera, må det være at velsmurt show og højtempo stil giver for lidt plads til den musikalske ekspertise der gemmer sig i gruppen. For at Charanga Habaneras musikere virkelig kan spille og har overskud til mere end det velsmurte og gennemindstuderede beviste de allerede i det indledende nærmest jazzagtige nummer.
Også før og efter koncerten var gulvet i Amager Bio fyldt med dansende salsaentusiaster i en grad som ellers ses sjældent. Aftenens DJ's havde fundet den cubanske musik frem. Det har de altså også, og den må de gerne spille mere af fremover skulle jeg hilse og sige.
Det var en af de aftener hvor man kommer af med en masse energi men sjovt nok har endnu mere med sig hjem. Flot flot.flot... Lad os få mere af det. Koncerten i Amager Bio viste at publikum er der."
Kjelde: Hifisalsa.dk
lørdag 15. november 2008
søndag 2. november 2008
onsdag 8. oktober 2008
Cuban Salsa and Timba in Miami
DJ Cabrera med partner danser til Elio Reve låta 1999 frå plata Se Sigue Comentando.
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